Thursday, 4 July 2013

Wal players discuss their basses - Rob Burns



Rob Burns

Now, he may not have the international mega-star profile of some other Wal players like Flea, Macca, Geddy and co but Rob Burns, nonetheless, occupies a pivotal role in the story of Wal basses.

Now a lecturer at the University of Otago in New Zealand, throughout the '70s, ‘80s and ‘90s he was a first call session player and a recognisable face across the London and UK rock and jazz circuits. His CV includes playing with David Gilmour, Pete Townshend, Eric Burdon, Jon Lord and Ian Paice, James Burton, Albert Lee and Jerry Donahue. He played with Morrissey-Mullen, Zoot Money and spent time in a number of prestigeous West End orchestra pits (including being personally chosen by Pete Townsend to play bass for the 1979 revival of the Who's "Tommy").

Rob played on television soundtracks for shows such as Blackadder, Mr. Bean and Red Dwarf - becoming a regular member of composer Howard Goddall's "TV sound-track band". He also provided the bottom end for a plethora of TV commercials.


The Dolphins. Standing from left: David Gilmour (Pink Floyd),
Willie Wilson (Ace & Sutherand Brothers and Quiver), Mick Ralphs (
Mott The Hoople & Bad
Company
). Seated: Robin Lumley (Brand X), Barry Venn, Steve Simpson, Rob Burns.

Sunday, 19 May 2013

Wal players discuss their basses - Laurence Cottle

Laurence Cottle

 
When I moved from Wales to London, I worked in Denmark Street. Ian Waller brought in his incredible basses into the store and I spent most of my working day jamming on the Wal basses. I’ve had my two Wals for over 25 years now. They’ve given me so much joy and they’ve never let me down I will always cherish them.
 It was the way the bass looked that first attracted me, they are beautifully constructed and unique instruments. 


Wal players discuss their basses - Geoffrey Richardson - Caravan

Geoffrey Richardson - Caravan

 
I was an habituĂ© of the Farmyard and in Quantum Jump and Caravan with John G Perry. I regularly saw Wal and Pete the Fish there. Although I couldn't afford a Wal bass at the time, I asked Wal if he could sell me a pickup and he kindly sold me a JG bass prototype which is still on my Precision fretless. I got the feeling that he didn't sell the pickups separately, so maybe I've got a rarity – I know that pickup’s powerful enough to power a light bulb!

I was talking to [Penguin Café Orchestra bassist/producer] Jennifer Maidman the other day about Wal basses and we realised that virtually every bass player of our generation had a Wal: Alan Spenner, Mickey Feat, Jenny, Jim Leverton, John Mc.Kenzie etc etc. Good old Wal!!

Wal players discuss their basses - Martin Sims (Sims LEDs)

Martin Sims – Sims LEDs


I started working for Pete back in 1995. Pete was one of the first manufacturers to use our LED fitting service as others were not happy sending us part made instruments and did not know our system well enough to trust that we could do a good job. However, Pete could see that our system worked and was happy with the our workmanship. Whenever customers asked him how we did it rather than give away any trade secrets he always said we had highly trained woodworm!

Since then we’ve installed countless numbers of Wals with our LED system and I’ve always held the Wal bass in the highest esteem. I have had two Wal basses to use in the past. One four string – the

Sunday, 14 April 2013

Video Vault

The Video Vault


Here's a not quite random selection of tunes played on a variety of different types of Wal bass. Hope you enjoy then. Feel free to suggest your own favourites in the blog comments...

If you want to see even more Wal basses in action you can watch a YouTube play list of some of the best of Wal performances here...


There is also a Spotify playlist here...



In the meantime here are a few tasty videos to whet your appetite...

Paul McCartney - Figure of Eight, 1989



Wednesday, 10 April 2013

Wal players discuss their basses - John Illsley (Dire Straits)

John Illsley



I started out using a 59 P-bass which actually worked very well in the studio, because although it had some loud spots you could graphic them out. On stage however I was looking for a more even, punchier sound and my roadie at the time suggested we look at the Wals. So we visited the factory and talked to Pete and Ian about what we wanted. I ended up with two fretted basses and a fretless one as well.

Wal players discuss their basses - Colin Edwin (Porcupine Tree)

Colin Edwin – Porcupine Tree

Along with tub-thumper, Gavin Harrison (and before him, Chris Maitland), Colin Edwin lays down the solid foundation on which the Porcupine Tree build their neo-prog soundscapes. Over much of the band’s 10 album career the bass element of that rhythm section has been powered by Wal basses.

So why did you particularly choose to get a Wal bass?

Really, I didn’t know much that about Wal basses when I bought my first Wal - a fretted four-string, from session bass player Martin Elliott [best known for his playing with Michael Nyman] in 1989. He was a friend of the family who had been helping me out by teaching me when I first started playing bass. I used to play his Wal sometimes when I visited him and I always really liked it. He offered it to me first when he wanted to sell it, so I was very lucky.

Martin’s old bass is a Wal Custom made from solid ash, and I believe it quite unusual in that respect. He had it made for himself, and told me he was very insistent on the material he wanted used in it’s construction.