JG Bass Special Pt 2: A tale of two basses

John Gustafson's original JG bass (JG1112) and Martin Elliott's solid ash Custom Series basses

John Gustafson in 1978 with the Gordon Giltrap Band

A few weeks ago I got a very interesting email quite out of the blue. It came from a bass player who is notable in his own terms but even more so in the inextricable links he has with the history of Wal basses. During the 1980s and 1990s Martin Elliott was a session player working on the London and wider UK session circuit. To carve out a successful living in that tough world one needs a range of skills – the ability to read accurately from a chart while simultaneously injecting real life and emotion into the notes rendered, the ability to come up with original and inventive bass lines on the spot time and time again and the ability to be the sort of person that people want to spend many, many hours shut in a claustrophobic environment with. In short, you need incredible playing skills and a winning personality.

Martin Elliott with the Michael Nyman Band
Forli, Italy, July 2016 (Photo by Francesca Lelli,
Kframe fotografia Bologna - www.kframe.it)

Across the course of his career he has played with many artists – from Petula Clark and Helen Shapiro to the Jesus And Mary Chain. However, since 1983 it is with the classical composer, Michael Nyman, that he has been most closely associated. And let’s face it, Nyman is hardly renowned for writing simple, basic bass lines. 

Elliott also has strong links with Wal basses which reach back to the early days of his session career. This has led to him owning two unique Wal basses, including being the original owner of one of the most notable Wal basses in existence – the solid ash Mk 1 which is now used to great effect by Colin Edwin of Porcupine Tree.

However, his email wasn’t about his playing experiences or his basses (more of that later). No, it was about something much more intriguing…

Gallery - 1983 Rosewood-topped Reissue Passive Pro

1983 Rosewood-topped Reissue Passive Pro

One of the great things about a brand like Wal is that a mix of two inquiring minds and a laissez faire attitude to “standard models” throws up a whole load of interesting basses to scratch your head about. One such bass cropped up recently in an online discussion on Basschat. The then owner, Gary Mackay, offered up his 1983 reissue Passive Pro bass as an unusual example of the model. The history of the Pro Series deserves, perhaps, a little unpacking as its history isn’t necessarily straightforward.

The original Pro Series was the first standard model of Wal bass and was offered between 1978 and 1981. They offered four options – single or dual pickups and active or passive circuitry – solid ash, paddle headstocks, contoured bodies and large black scratchplates. These basses were superseded with the introduction of the Mark 1 Custom in 1981. The Pro Bass was no longer offered for sale.

However, realising that their new Custom Series were effectively luxury models Electric Wood saw that there was a space in the market for a budget Wal. But how to cut costs without cutting corners? The Reissue Pros feature a more or less standard laminates Wal neck but a slab, solid ash body and a single passive pickup (either in the bridge or neck position – the position changed over time) controlled via a small, tear drop-shaped control plate.

As a little extra bling they were often finished with a fairly plain flamed or birdseye maple veneer (and a sunburst finish to hide the veneer’s edge). Gary’s Reissue Pro, however, if the only one I’ve ever seen with a rather tasty, pale rosewood top and clear varnish. All in all a rather classy set of appointments for a supposedly “budget” bass.

Special feature: Wal Basses - the early years

Wal Basses the early years

Over the last half a century some incredible bass guitars have come from these shores. From the “yeah baby” grooviness of Burns, to the quirky ergonomics of Shergold, from the Alembic influences of Jaydee and John Birch to the macho 80s lines of Status… all classic designs in their own right. However, perhaps one other British bass stands shoulder to shoulder with them – the instruments made by Electric Wood in High Wycombe: the Wal bass. For much of the 1980s and 1990s a Wal was the must-have bass de jour for the discerning British session player and attracted a wide range of celebrity endorsees (all of whom shared one characteristic… they’d bought their own Wals - the company had a “no freebies” policy). A few years ago the brand ceased production when ill health forced the retirement of founder Peter Stevens. However, in the hands of luthier, Paul Herman, Wal has recently re-emerged so perhaps it’s perhaps an appropriate to have a look back at the birth of the brand. We’ve gathered together some of the characters who were instrumental to the story and picked their brains on those early years.

 Ian Waller - the Manchester years...

Ian Waller (second from left) in the Demons - early 1960s

Ian Waller was an enthusiast. A bass enthusiast and an enthusiastic tinkerer. From an early age he was adept with his hands - playing in bands around the early 60s Manchester scene and building instruments and pedals to power his own music. It’s a matter of record that, with US trade embargoes biting, the availability of decent instruments in the early days of the UK beat revolution was low. Many aspiring players plumped for lower cost alternatives like Hagstroms, Dallas Arbiters and Grimshaws. Others such as "Big Wal", as he had become known around the scene, went for the home-made route. Other members of those early bands recall him as a popular figure on the circuit, the quality of the bass he had made with the assistance of his father always drawing gasps of admiration from jealous musos.

General Wal music magazine adverts from through the years...

General Wal music magazine adverts from through the years...

Throughout their history Electric Wood, the company behind Wal Basses (in effect Ian, Pete and maybe a couple of sleeping partners) took out ads in the national music press. For many years it was just a very bijou Wal add nestling in the paid ads at the back of Guitarist Magazine. Minimalist but with all the info that a keen Wal-hunter needed. However, some where a little more all singing and all dancing. Including those featuring their celebrity endorsers... John Entwistle, Percy Jones and Laurence Cottle.

A few of those adverts are attached below for your enjoyment...

Pro Series Advertising Materials Featuring John Entwistle and Percy Jones

Pro Series Advertising Materials From the 1970s Featuring John Entwistle and Percy Jones

In many ways Wal Basses grew out of Ian and Pete's friendships with the musicians who passed through Trevor Morais' Farmyard Studios. And similarly across the London session scene. Certainly a lot of musicians ended up becoming Wal's official design consultants - John G Perry, Rupert Hine, Pete Zorn and a host of others... However, in those early years only two of their muso friends actually became "official" endorsers of the brand through appearances in formal advertising materials. And the guys couldn't have asked for two more respected and influential spokespersons than John Entwistle from The Who and Percy Jones the Welsh Wizard who played the fretless bass for Brand X.

Both John and Percy had been purchasers of the early JG Series basses but it was propounding the Pro series that they appeared in print.

Wal Pro II bass review by Jimmy Bain of Rainbow and Wild Horses (Beats International, July 1980)

Jimmy sticks his neck out

The latter weeks of 2015 and the first few of 2016 have been a sad period for the music world, with so many great musicians from the heydays of 1970s rock passing away over a short period of time. So it was with great sadness that I read only a few days ago of the passing of bassist Jimmy Bain. A member of Richie Blackmore's Rainbow, Dio and Wild Horses and a collaborator with the likes of Philip Lynott and Gary Moore his distinctive bass playing and songwriting was embedded within the hard rock landscape of the late 1970s and early 1980s. 

His passing, reminded me of an article from the July 1980 edition of Beats International which I had picked up a few years ago on eBay. In the article Bain gives his opinion, as an experienced player, on the passive Wal Pro II bass. The article is reproduced below and I hope is some sort of fitting tribute to him as a bass player. Rest in Peace, Jimmy. 



Hi-Res scans of the original article can be found here:

WAL Pro ll Bass

Price: £529 inc. VAT

Reviewed by: Jimmy Bain

ALL PRO'S - NO CONS

What we have here is the second in a range of four basses made and distributed by Electric Wood in High Wycombe (Tel: 0494 442925/6). In all honesty it's one of the most powerful basses I've ever tried out. I normally turn the bass up full and set my Marshall on about 6. With this bass full on, 2 on the Marshall is easily loud enough.

Getting down to details, the head on the bass is very square in design, very sturdy, and fitted with Schaller machine heads which are the best heads for basses you can buy. They're accurate and keep their tuning well. The strings run through metal pieces on the head which keeps them down low for a smooth action.

The neck is a lovely piece of work. The centre section is hornbeam and the outer section is maple. The neck is inlaid with red stripes which are made of a sympathetic wood from the Amazon called mukalunga. It's chosen because it's totally non-porous and remarkably straight. On top of all this lies an Indian rosewood fretboard which is shipped from Bombay to Germany. In Germany the wood's cut (Germany have the best cutting equipment) and it's then shipped to England.

Gallery - Reissue Pro Bass

Gallery: Early and mid 1980s reissue passive Pro basses

Andy Baxter, of Andy Baxter Basses in London takes some amazing photos to display the basses which he has on display in his shop. This includes a number of lovely Wal basses. He has kindly given permission to display some of these on this blog. This gives a really good representation of the various models in the Wal range over the years. The ones displayed here give a really good representation of how the details of these basses changed over the years...

1982 reissue Pro bass:  

Wal Pro Series basses article from The Guitar Magazine, early 2000s

Article from the UK's The Guitar Magazine on the Wal Pro Series basses from the early 2000s

Wal Pro-1 Bass 

Review category: Basses

A great opportunity to get your hands on a genuine Wall for a fraction of the price you may have expected

Founded in the mid-'70s with a commitment to high-quality design and construction, Electric Wood (the company that made Wal basses) was responsible for some of the best machines ever to grace the woofers of your hi-fi.

The Pro range of basses, from the entry-level Pro-I, to the top-of-the-line Pro-IIE, encapsulated all the ideas and innovations that Wal was known for.

You may not be able to buy a new one, but all the Wal Pro series are excellent second-hand buys. Of the four instruments in the range, the Pro-I offers the least in the way of refinements, though you still get a handmade pro-quality bass guitar. The others in the range are the Pro-II (two pickups), The Pro-IE (active), and the Pro-IIE (two pickups, active circuitry).

In action, the Pro-I is a beast of distinction, easy and comfortable to play, with a lovely thick, woody tone. It gives a very chunky 70s sound, but with some adjustment to the pickup, a wider range of sounds can be achieved.

Bassist magazine feature, January 2000 - "My bass(es) are... Four Wals"

My Basses are...   Four Wals

Steve Weston wanted a Wal. Then he wanted another. And another. Then? Well, we'll let him tell you...

I will never forget the first time I heard a Wal, it was in 1983 and being very ably played by Colin Bass of Camel. I'd had a number of basses over the years, Rickenbacker, Fender, Ibanez etc, but had never quite managed to capture that elusive sound that I wanted from any of them. Anyway there I was watching Camel and I was suddenly being blown away by this amazing bass, loud in the mix without being overpowering, driving, clear and very tight. I decided then and there that I had to have one.

Anyway as it turned out, deciding I had to have one was the easy bit. It actually took me two years of saving, gigging on reduced curry and beer intake (slightly) before I had enough cash to realise my dream, a 1984 Custom 4 string purchased from a reluctant seller in London.

The bass as it was then had a Mahogany body, Electric Wood standard, with Walnut facings and an ebony fretless fingerboard, great looks, and yes, it had that great fretless Wal sound which suited me exactly at the time due to the material we were playing. I later had luthier Pete the Fish at Electric Wood make me a fretted neck so I had some opportunity to change style from time to time. In one form or the other it was my only bass for the next 6/7 years and it never let me down once.

Video Demos

Just what do all those knobs do?

We Wal fans all know just how versatile the Wal bass is - largely down to the visionary design of the active electronics. There are so few other basses that have ever used the type of filters which a Wal Custom bass uses. So if there is a downside to the versatility upside of the Wal tone circuit then it is that the way in which they work may not be familiar. They aren't immediately intuitive to all.

The Wal Custom tone controls are described in more detail in the page on this blog that covers those models. But the drafting of those instructions aren't exactly user friendly. However, the beauty of the internet is that there is a wealth of info out there, particularly on YouTube. 

Here are a few videos of Wals in action. Enjoy.

First up is a video by Jaymi Millard, a serial Wal user and serial groovy bass reviewer on his YouTube channel. Here he is reviewing a 1985 Mk I four string...

My basses: 1978 Wal Pro series bass - PB1291

1978 Wal Pro series bass - PB1291: 

 

   

My Pro bass is a "Pro IIE" which was, according to records at Electric Wood, completed on 24 September 1979.  The Pro Series was Wal's first production bass line (hence "Pro") and the IIE signifies twin pickups and active circuitry. Like my Mark I Custom Series Wal this is another beautifully built bass. It has a translucent (strawberry) red finish over a solid ash body that the photos simply do not do justice to.  It is so rich! The body shape and size is similar to the "Custom Series" basses although the forearm chamfer is much more angular than on the Custom Bass. The neck is much the same construction as the newer Wall basses, although with a larger "paddle" style headstock.  However, the neck profiles are quite different - the "Pro" has a comfortable and fast C shaped neck while the "Custom" is rather more "V shaped".  In addition, the neck features carbon fibre stiffening rods within the construction of the neck.

John Entwistle's Wal JG Series Bass, JG1128

Classic Wal Basses - The John Entwistle Wal JG Series Bass, JG1128

John Entwistle playing one of his Wals at a celebrity gig with
Rick Wakeman, members of Status Quo and others

 The Ox, Thunderfingers, just plain John... call him what you like the Who's bassist wasn't averse to picking up the odd bass or two. Indeed, the Sothebys auctions of his private collection have passed into rock and roll history – for the scale, scope and just plain weirdness of the basses he had accumulated. However, amongst his beloved Fenders, Alembics and Warwicks nestled a couple of classic, custom build period Wals. Well, you'd probably expect that he'd have managed to pick up a couple of everything, wouldn't you? However, Entwistle's relationship with Wal was closer than many of the brands in his collection. In fact, close enough that he agreed to appear in adverts and other promotional literature for the brand.