The Wonderful World of the Woods of Wal – Part 2, Bodies
In this second feature looking at the woods employed by Wal in building their basses we are going to take a closer look at the woods used for the bass bodies.
Initially, all Wal bodies were constructed from solid ash. Although not as common a tone wood as, say alder or basswood (pronounced BASS - as in the fish or the beer!) it is well known for its tonal properties. It's featured on many classic Fender models and a host of other designs. The wood is considered to give a relatively bright, snappy tone with good sustain.
However, with the introduction of the Custom Series basses everything changed and Wal stepped up into the ranks of what would later be known as "boutique basses". The Custom Series retained the same laminate neck construction (although with a streamlined headstock shape) but the construction of the body was very different. This time a sandwich of different (often exotic) hard woods was employed. At the core was a thick slab of mahogany. Initially this was exclusively Brazilian mahogany but over time as the wood became scarcer, more expensive and subject to increasingly strict export restrictions under CITES (The Convention on Trade in Endangered Species) other sources and subspecies were employed. Notwithstanding the emotional and almost mystical cachet that Brazilian mahogany and rosewood has with builders and players alike this didn't imply any reduction in the quality (aesthetic or sonic) of the woods used.