Article from the UK's The Guitar Magazine on the Wal Pro Series basses from the early 2000s
Wal Pro-1 Bass
Review category: Basses
A great opportunity to get your
hands on a genuine Wall for a fraction of the price you may have expected
Founded in the mid-'70s with a commitment to high-quality design and
construction, Electric Wood (the company that made Wal basses) was responsible
for some of the best machines ever to grace the woofers of your hi-fi.
The Pro range of basses, from the entry-level Pro-I, to the
top-of-the-line Pro-IIE, encapsulated all the ideas and innovations that Wal
was known for.
You may not be able to buy a new one, but all the Wal Pro series are
excellent second-hand buys. Of the four instruments in the range, the Pro-I
offers the least in the way of refinements, though you still get a handmade
pro-quality bass guitar. The others in the range are the Pro-II (two pickups),
The Pro-IE (active), and the Pro-IIE (two pickups, active circuitry).
In action, the Pro-I is a beast of distinction, easy and comfortable
to play, with a lovely thick, woody tone. It gives a very chunky 70s sound, but
with some adjustment to the pickup, a wider range of sounds can be achieved.
Still, with no facilities for easy change of tone, it's probably a bit
limiting for the modern bass player, who may have to switch from zingy funk
tones to bowel-quaking dub in the course of a set.
The body of the instrument is a glued three-section piece of ash, with an angled upper bout, a cutaway at the rear between the upper bout and horn, and a lower horn cutaway that offers access to the higher frets.
The body of the instrument is a glued three-section piece of ash, with an angled upper bout, a cutaway at the rear between the upper bout and horn, and a lower horn cutaway that offers access to the higher frets.
The neat, functional body styling results in a distinctive
well-balanced shape that doesn't suffer from too much tipping, even with the
large Wal headstock. Inside, the Pro-I really shows its pedigree; the wiring
and circuitry is mounted on a circuit board instead of being just a loose
tangle of wires.
This feature is becoming more common in high-end basses, but in 1982,
when this bass was manufactured, such clarity of design was very rare indeed.
The neck is a 34-inch six-piece laminate bolt-on type with a
centre-piece of hornbeam and outer pieces of rock maple, separated by two
pieces of muckalungu.
The fretboard is Indian rosewood with 21 nickel-steel frets, and the
neck as a whole is quite thick, with good feel and playability. The fretboard
width at the nut is 42mm, with a string spacing of 13mm.
This widens to 19mm at the bridge - meaning that the strings are
fairly close together all the way down the neck, compared with modern basses.
There are three carbon-fibre strips reinforcing the neck too - one
under the fretboard and two at the back, adding extra stability. These, coupled
with the brass inserts at the heel- joint, provide the rigidity necessary for
good sustain and tone.
The single pickup is an eight-coil humbucking type, mounted on
floating springs and fully height-adjustable.
The pole-pieces, too, are adjustable by Allen key for further tone
refinement, and there's a small phase reversal switch just at the lower edge of
the pickup to switch between in- phase and out-of-phase sound.
The more expensive models follow the same pattern, meaning that you
can be sure of your purchase remaining an investment.
Expect to pay from £400 to £599 for those models, depending on type and condition.
Just 3,000 Wal Pro series basses were made in total, so finding a good
example may be a bit of a search. Still, chances are, it'll be worth it.
ORIGINAL PRICE £375
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